Auditions

Whether you are an experienced performer or stepping onto the stage for the first time, we invite you to audition and become part of our theater community.

Casting needs vary by production, and performers of all backgrounds and experience levels are encouraged to participate.

VIEW UPCOMING AUDITIONS

Preparing for an Audition

Requirements vary by production, so always review the specific audition notice for details about roles, dates, materials, and preparation.

Preparing a Monologue

When a monologue is requested, choose a piece that:

Fits within the requested time limit
Is appropriate for your age and performance style
Gives you an opportunity to demonstrate character and storytelling
Feels natural and comfortable for you to perform

Unless otherwise stated, prepare a monologue that is approximately one to two minutes long. Memorize it well enough that you can focus on your performance rather than recalling the words.

Practice speaking clearly, making intentional character choices, and beginning and ending confidently. Avoid unnecessary props or costumes.

Preparing a Song

For musical auditions, you may be asked to prepare a short song or a specific number of measures.

Choose a song that suits your vocal range and matches the general style of the production. Follow the audition notice carefully for instructions about length, accompaniment, and sheet music.

What to Bring

Depending on the production, you may be asked to bring:

A completed audition form
A résumé or list of theater experience
A recent headshot or clear photograph
Clearly marked sheet music
A list of rehearsal and performance conflicts
Comfortable clothing and shoes for movement or dance

What to Expect

Auditions may include a prepared monologue or song, readings from selected scenes, group exercises, movement, dance, or music.

Any scenes provided by the theater during the audition do not need to be memorized. You may also be asked to perform material more than once or try a different approach so the directing team can see how you respond to adjustments.

Callbacks

Callbacks may be held when the team would like to see certain performers again. Not receiving a callback does not necessarily mean you are no longer being considered.

Please arrive early enough to check in, listen carefully to instructions, and be honest about scheduling conflicts. Most importantly, remember that the directing team wants you to succeed.

Do I need previous acting experience?

What should I wear?

What if I have scheduling conflicts?

Are roles paid?

Upcoming Auditions

A Gilbert & Sullivan Christmas Carol (CCT – Dec 2026 Production)

by Gayden Wren

Synopsis:

A Gilbert & Sullivan Christmas Carol is a festive, lighthearted musical adaptation of Charles Dickens' classic tale, set to the songs of many G&S shows adapted by playwright Gayden Wren. It seamlessly blends Victorian holiday drama with the signature, fast-paced humor of the iconic operetta duo.

CCT’s production will be the Premiere in Washington State. It will be the first time this show is performed in Washington by anyone. Gaydon Wren is excited that we are producing it.

Rather than just a standard parody, the production matches Dickens' traditional narrative with Sullivan's tuneful scores. Familiar characters receive completely new, G&S-style introductions. For instance, Marley's Ghost heralds his arrival with lyrics borrowed from "I Am the Very Model of a Modern Major-General" (from The Pirates of Penzance), playfully tweaked to "I am the very model of a mystic supernatural". Another example would be "Three little ghosts for Scrooge are we" (from The Mikado).

Background and Creator
Written by Gayden Wren, this version premiered in New York over 30 years ago and has since become a holiday staple performed by various regional, community, and collegiate opera studios across the country. Wren also authored A Most Ingenious Paradox: The Art of Gilbert and Sullivan.

Director Notes: This show has a lot of singing. Singing ability is required for most parts. Even if the role you get has no solos in it, you will probably be asked to be part of the chorus.

Understand that all ages listed are a recommendation and not a requirement. Every age in a role is negotiable and will be given consideration.

Performance Dates

Dec 18, 7pm; Dec 19, 2pm & 7pm; Dec 20, 2pm; Dec 26, 2pm & 7pm; Dec 27, 2pm

Location: Monroe, WA - Wagner Theatre

Audition Form

Go to: https://signup.com/go/WnSyUri to Sign up for Audition time.

Continue as Michael Martinez

If you do not pre-register, you will be seen in the order of your arrival/sign-in and when a time-slot is available.

In Person Audition Information

Most roles require singing (some are only in the Chorus parts)
All Ages (6 & above) welcome
A Resume and Head Shot will be required at Audition.
Prepare a Song (16 to 24 bars) and bring your accompaniment audio file (MP3) on a USB thumb drive. A pianist will NOT be available. We recommend singing a song from another Gilbert & Sullivan Show or at least in that Style (Not a requirement!). You will also find 2 songs we provided from the Show if you prefer them. Go to:
https://drive.google.comdrivefolders/1f6YXnei43bHTyMlXqQOOyYdQY03W8GLc?usp=sharing
Prepare a Short Monologue ( Less than 1 min). You will also find 4 Monologues we provided from the Show if you prefer them. Go to: https://drive.google.com/drive/folders/1KILeymXukUvumwA9t_GeSvI1u6YlyhiH?usp=sharing
This is a big cast with many opportunities. See the List below for all the roles available.
Video Auditions are available upon request. Email the Director, Mike Martinez at martinez80233@comcast.net to discuss this option.
The Roles of “Tiny Tim” and “Cheapside Jackie” are typically younger actors but they need to be good singers, able to sing their part against other singers singing different parts. Both these roles can be either male or female.

AUDITION POLICY: All roles, unless otherwise announced, are open. CCT encourages all interested individuals to audition and is always eager to welcome new faces and fresh talent to its stage. Cascade Community Theatre has a non-discrimination casting policy, open to people of all ages, ethnic/national origins, races, sexes, creeds, orientations, and abilities. We encourage people of diverse backgrounds and abilities to audition for our productions.

Rehearsals

Tues, Thurs & Sat (generally) – Starting Sept 15^th – 7pm – 9pm (7-8:30 for youngsters)

Location: Redemption Church “The Hub”

15305 Main Street NE, Duvall, WA 98019 - 2^nd Floor.

Please be prepared to attend all called rehearsals, tech, and performances

Available Roles

ROLES	DESCRIPTION	AGE RANGE	Gender
Ebenezer Scrooge	A Greedy Banker	35+	M
Bob Cratchit	Mr. Scrooge’s Clerk	20+	M
Tiny Tim Cratchit	Bob Cratchit’s Eldest Son*	9-15	M or F
Fred Hanscom	Mr. Scrooge’s Nephew	16+	M
Mr. Kindheart	A Philanthropist*	20+	M OR f
Mr. Goodman	Another Philanthropist*	20+	M OR f
The Ghost of Marley	A Greedy Banker, Now Deceased	35+	M
Ghost of Christmas Past	A Spectral Visitation	20+	F
Ghost of Christmas Present	A Spectral Visitation	20+	F
Ghost of Christmas Future	A Spectral Visitation	20+	F
Old Fezziwig	A Benevolent Merchant	35+	M
Mrs. Fezzwig	Wife of a Benevolent Merchant	35+	F
Belle	A Memory	16+	F
Young Scrooge	A Future Greedy Banker	16+	M
Young Marley	A Future Deceased Greedy Banker	16+	M
Titus Burton	A Future Benevolent Merchant	16+	M
Dora Lincoln	Fred Hanscom’s Fiancée	16+	F
Arthur	A Party Guest*	16+	Mor F
Edwin	Another Party Guest*	16+	Mor F
Emily Cratchit	Bob Cratchit’s Wife	20+	F
Martha Cratchit	Bob Cratchit’s Eldest Daughter	16+	F
Belinda Cratchit	Bob Cratchit’s Second Daughter	12+	F
Peter Cratchit	Bob Cratchit’s Second Son	6-9	M
Simon Cratchit	Bob Cratchit’s Youngest Son	6-9	M
Sarah Cratchit	Bob Cratchit’s Youngest Daughter	6-9	F
Uncle Tim Hazlitt	Emily’s Uncle	30+	M
Aunt Eadie	Emily’s Uncle’s Wife	30+	F
Four Gossips	Four Citizens of London*	20+	M or F
Cheapside Jackie	A Child of the Streets*	10-16	M or F
Additional Ensemble	Chorus*	6+	M or F

Any questions can be directed to Mike Martinez – Director

martinez80233@comcast.net or 425-295-1803 (Text or Call).